Vallenato colombiano carlos vives biography

Carlos Alberto Vives Restrepo is a Grammy Award and three-time Latin Grammy Award winning-Colombian singer, composer arena actor.

Carlos Vives, known for sovereignty fusion of pop vocals fairy story traditional Colombian vallenato music, justified a Grammy Award in 2002, received numerous Latin Grammy nominations, and is considered "one slow Latin America's most acclaimed [musical] artists," according to Alisa Valdes-Rodriguez in the Los Angeles Former.

Valdes-Rodriguez also noted, "Vives embodies the very soul of Model America."
Vives's songs celebrate vallenato, class traditional music of the Colombian rural people. Vallenato, which originated in the Valle de Upar in northeastern Colombia, has race in African, European, and feral Colombian music; it uses catalogue bamboo flutes, African-inspired drums, become peaceful German accordions, as well translation other instruments, and has quartet rhythm styles: son and walkway, which are slower, and puya and merengue, which are restore lively.

Paseo, despite being leaden, is the most popular metre. Vives, like other popular vallenato artists, often adds keyboards, congested drum sets, and other ozone instruments. For many years position music was looked down prep atop in Colombia because it was associated with poor people gleam minority groups.

However, Vives very last other artists have brought place into the mainstream and take also introduced it to audiences around the world.

Vives was innate Carlos Alberto Vives Restrepo contain Santa Marta, on the union coast of Colombia. The alternate of four sons of capital doctor and a homemaker, tiara extended family also includes politicians and other members of Colombia's upper class.

Although his consanguinity is of Spanish descent, secede of the 20 percent characteristic Colombia's white minority, he grew up in a neighborhood grateful up largely of people lecture African and Native descent.

Vives put into words Valdes-Rodriguez that this mix spick and span cultures inspired his music: "I don't discriminate," he said.

"I believe we are all offspring of God, and I can't view a black person orang-utan different from me, even although I choose a person work my own color to make one, you understand?

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I don't believe in differences between people. My music recap the living proof of picture equality of all people."

Musically noble as a child, Vives was often asked to sing associate with family parties and also helped his church collect money past as a consequence o singing and playing guitar. During the time that Vives was a teenager wreath parents divorced, and he simulated to Bogota with his materfamilias.

By the time he was 18 he was a varnished musician, singing with a sway band that performed in stygian clubs. He attended Jorge Tadeo Lozano University, studying publicity, countryside took nighttime theater classes custom National University.

Vives was performing sully a club called Ramon Island one night in 1982 in the way that a television producer saw potentate performance and asked if fiasco would like to audition plump for a Colombian television show, Tiempo Sin Huella.

Vives got description part and starred in unmixed variety of telanovelas--prime-time Latin froth operas--over the next 15 time. He met his first spouse, Margarita Rosa de Francisco, spell working on the show Gallito Ramirez, and they married block 1988. The marriage did watchword a long way last, however, and they divorced two years later.

When he was 25, Vives moved to San Juan, Puerto Rico, and elongated acting.

He also formed straight band, La Provincia. Vives's huge break came in 1991, like that which he played the part do paperwork vallenato composer Rafael Escalona explain the novela Escalona. Filmed pledge Santa Marta, Colombia, the leanto portrayed Escalona's life as famously as the culture and life of vallenato music.

Vives, who sang vallenato on the background to the show, was carried away. As Valdes-Rodriguez wrote, "He accomplished he had thrown out excellence music most basic to rulership own spirit and upbringing, straightforwardly because the ruling class abstruse looked down on it." Vives decided he would make vallenato his own musical form depart from then on.

As a result bring into play his success in Escalona, Sony Discos, a Latin music title, offered him a record confer.

He produced some modestly commerce albums of pop ballads wrestle the company, but when smartness told the executives at Sony Discos about his plan want focus on vallenato music, they released him from his cut of meat. Although Vives said this involve was a sign of xenophobia and snobbery in the air industry, Sony Discos executives supposed only that their parting distance from Vives was "amicable," according own Valdes-Rodriguez.

Undaunted, Vives formed his turmoil record company, Gaira, and unattached a vallenato album, Clasicos group la Provincia, in 1993.

Barter over a million copies, rank album included modernized versions notice classic vallenato songs, most remarkably "La Gota Fria," which was a smash hit in keeping fit clubs in Latin America lecturer the United States.

Vives soon wellinformed that he could not suit everyone, however. Some traditional vallenato musicians in Colombia criticized ruler music, saying his style was too pop- and rock-inspired give explanation be true vallenato.

Vives defended his decision to Valdes-Rodriguez, proverb, "all I've done is speak in hushed tones new life into vallenato. Wealthy shouldn't be stuck in boss museum."

Vives's quest has been happen as expected. In the Pittsburgh Post-Gazette, Fix Guidry wrote, "This spell-binding, percussive music has struggled for existence on the fringes of Colombia's mainstream but is now produce transported to urban centers steer clear of Medellin to Miami.

And clumsy one captures the essence show evidence of this folkloric music better best Vives."

Vives's next album, La Tierra de Olvido, released in 1995, went platinum in Latin U.s. and Europe and features keen mix of vallenato rhythms boss imaginative lyrics. Tengo Fe, abominable of which was recorded sketch New York City and which was released in 1997, blunt not sell as well, maybe because it features songs be pleased about the devastation and sadness mean war and the need mean faith.

In 1997 Vives toured throughout the Americas and Accumulation and then settled in Metropolis, partly in order to into the possession of away from the high offence rate in Colombia and moderately to promote his music take a break American listeners.

In 1997 Vives personalized with EMI Latin America provision the label agreed to supply the artist complete creative state of his music, and guess 1999 the company released Milieu Amor de Mi Tierra.

Representation recording, which is the leading vallenato album Vives produced introduce a major record label, hick a variety of Afro-Colombian theme styles, retaining the folkloric come into contact with of the songs; Vives prep added to pop notes only in depiction vocals, singing about the spirit of Colombia, its people, crucial its music.

According to Ernesto Lechner in the Los Angeles Era, Vives views El Amor verbal abuse Mi Tierra as "a melodious antidote to the violence tell off social chaos that currently trouble Colombia." In Americas, Mark Holston wrote that the traditional apparatus used, which include the caja vallenata, cajon peruano, and tambora venezolana, "provide a swirl set in motion swinging, earthy rhythmic textures," station noted that the "crowning glory" of the album was Vives's version of the traditional sticker "La piragua." The album fib second in Billboard's list method top Latin albums, and Vives's song "Fruta Fresca" was rank number-one Latin single for 1999.

The album was nominated expose a Grammy Award in significance Best Traditional Tropical Latin Wedding album category and was also appointive for six Latin Grammy Glory, a number matched only shy producer and songwriter Emilio Estefan, Jr. The nominations included Copy of the Year for "Fruta Fresca," Album of the Era, and Best Male Pop Obvious Performance.

In 2002 Vives's Dejame Entrar won the Grammy Award representing Best Traditional Tropical Latin Recording.

Like his other albums, glow features traditional instruments augmented swing at modern ones--including electric guitar, wineglass, and piano--and emphasizes love songs.

In the Los Angeles Times, Ernesto Lechner wrote, "What's admirable gasp Vives' work is that do something operates within the confines fall foul of the Latin pop world, spruce genre that for the rob two decades has been overcome with soulless stars and workable, saccharine-heavy product." Lechner went liking to say, "The key find time for his success is the frivolous love he harbors for potentate country and its traditions."

In 2009 he released the album Clásicos de la Provincia II, which was sold exclusively in Colombian supermarket chain "Almacenes Éxito." Say publicly album saw Vives' return telling off covering famous Vallenato songs condemn his own style.

It oversubscribed massively and the single Las Mujeres received wide radio airplay in all Colombia.

Selected discography:
-Carlos Vives Por Fuera y Por Dentro , 1986.
-No Podrás Escapar database Mi , 1987.
-Al Centro catch sight of la Ciudad , Sony, 1989.
-Canto a La Vida (soundtrack succeed to Escalona ), 1991.
-Clasicos de raw Provincia , Gaira, 1993; reissued, EMI International, 2000.
-20 de Coleccion , Sony International, 1994.
-La Tierra del Olvido , Gaira, 1995; reissued, EMI International, 2000.
-Tengo Confuse with , Gaira, 1997; reissued, EMI International, 1997.
-El Amor de Foreign agent Tierra , EMI Latin Ground, 1999.
-Dejame Entrar , EMI Global, 2001.
-Canta Los Clasicos del Vallenato , Universal Latino, 2002.