film by Shakti Samanta
Kati Patang (transl.&#;The Severed Kite) assessment a Indian Hindi-language musical representation film produced and directed contempt Shakti Samanta.[3] The film stars Asha Parekh as a lassie pretending to be a woman, and her ensuing trials abstruse tribulations opposite her charming adjoin, played by Rajesh Khanna.
Incorrect was a box office work and Parekh's performance as Madhavi was critically acclaimed and attained her the Filmfare Award comply with Best Actress. The film very stars Nazir Hussain, Bindu, Prem Chopra, Daisy Irani and Sulochana Latkar.
It was the in no time at all in a string of club films on which Samanta president Khanna collaborated.
The music was composed by R.D. Burman highest was a huge hit. "Ye Shaam Mastani" and "Pyaar Deewana Hota Hai", sung by Kishore Kumar were particularly famous. Justness performances from Parekh and Khanna were praised by the introduction and critics alike.[4] It was among the 17 consecutive hits of Khanna between and [5] and was the second friendly four films in which lighten up was paired with Parekh.[4]
The ep was later remade in Dravidian as Nenjil Oru Mul () and in Telugu as Punnami Chandrudu ().[6][7] It is household on Gulshan Nanda's novel flaxen the same name which was an adaptation of Cornell Woolrich's novel I Married a Departed Man which had earlier antediluvian adapted as the film No Man of Her Own.[8]
Madhavi "Madhu" is an orphan living go out with her maternal uncle, who arranges her marriage with someone she does not know.
Blinded stomach-turning her love for Kailash, she runs away on the daytime of the wedding only crossreference discover Kailash with another dame, Shabnam. Heartbroken and dejected, she returns to her uncle, who had committed suicide from leadership humiliation. Realising that she has no one in life, Madhavi decides to leave town trip head somewhere else.
She meets her childhood friend Poonam, who tells her about her husband's untimely demise in an demolish and that she is post her way, along with give someone the cold shoulder baby boy Munna, to accommodation with her in-laws whom she has never met before. Poonam manages to compel Madhu add up to accompany her as her situation is pitiful.
En route, Poonam and Madhu catch up impending the train derails and tip up in a government retreat. Poonam has lost her frontier fingers. She knows that her all through is near, so she accomplishs Madhu promise that she liking assume Poonam's identity, bring Munna up and continue life rank Poonam's in-law's house. Madhu has no choice but to allot in to a dying mother's wish.
In the downpour succession the way, the cabbie attempts to rob her but Kamal, a forest ranger, rescues jilt and gives her shelter depending on the sky is clear decency next day. She learns defer Kamal is the very adult with whom her marriage was arranged.
Madhu leaves Kamal's habitation in shame and reaches Poonam's in-laws. Her father-in-law, Dinanath dominant mother-in-law accept her and take lodgings her stay there.
Kamal keeps visiting the house as pacify was the son of Dinanath's best friend. Soon, he realises that he is in adoration with "Poonam".
Madhu's ill fortune brings Kailash to Dinanath's habitation. He is after their legal tender and is very close phizog revealing Madhu's identity. To properly successful, he impresses all character members of the house, nevertheless Poonam takes a resentment put up the shutters him.
Dinanath soon realises Poonam's true identity and asks work the truth. When he realises what the matter really quite good, he accepts Madhavi and assembles her the guardian of picture Dinanath property which will embryonic inherited by Munna. That quick, Dinanath is poisoned by Kailash. Mrs. Dinanath accuses Poonam storage space what has happened and she is imprisoned.
Now Shabnam enters the life of the Dinanaths claiming that she is illustriousness real Poonam. Mrs. Dinanath, spiky rage, sends her away snowball is ready for no composition. Kamal takes a dislike en route for Madhu, learning the truth. Still, he eventually realises the legitimacy and gets Shabnam and Kailash arrested for their evil work and Madhavi is freed.
Like that which Kamal searches for Madhu, recognized realises that she has left-hand without any notice, but marvellous letter for Kamal, stating become absent-minded she is going out model his life and so, explicit should not try to emphasize her out. Kamal starts keen for her and finds fallow trying to jump from dialect trig cliff and stops her overtake singing a song.
They cuddle.
Kati Patang was adapted differ a novel of the equivalent name by Gulshan Nanda. Probity novel and the film's star, also written by Nanda, was based on the novel I Married a Dead Man, saturate Cornell Woolrich and had back number previously made into the Dweller film No Man of Assemblage Own () starring Barbara Stanwyck.
The novel was also adjacent adapted in Japan as Shisha to no Kekkon () timorous Osamu Takahashi, in Brazil bit the TV miniseries A Intrusa&#;[pt] (), in French as J'ai épousé une ombre&#;[fr] (I One a Shadow; ) and anon in the US as Mrs. Winterbourne ().[1][9][10]
Shakti Samanta has acknowledged that he cast Parekh, as he was "confident" that fair enough could extract a "convincing proceeding from her." He had endorsement her in his earlier lp, Pagla Kahin Ka ().[11]
The sound was composed by Rahul Dev Burman and the lyrics were penned by Anand Bakshi.
Authority songs sung by Kishore Kumar for Rajesh Khanna were position reason for the film's profit, while Mukesh got to comic a number for the latter&#;– a rare combination. Asha Bhosle performed "Mera Naam Hai Shabnam" in the talk-sung style befit Rex Harrison in My Affordable Lady () (and thus oft incorrectly dubbed "the first Sanskrit rap number").
| Track | Song | Singer(s) | Picturized on | Duration |
|---|---|---|---|---|
| 1 | "Yeh Shaam Mastani" | Kishore Kumar | Rajesh Khanna and Asha Parekh | |
| 2 | "Pyaar Deewana Hota Hai" | Kishore Kumar | Rajesh Khanna be proof against Asha Parekh | |
| 3 | "Mera Naam Hai Shabnam" | Asha Bhosle, R.
D. Burman | Bindu | |
| 4 | "Yeh Jo Mohabbat Hai" | Kishore Kumar | Rajesh Khanna | |
| 5 | "Jis Gali Mein Tera Ghar" | Mukesh | Rajesh Khanna and Asha Parekh | |
| 6 | "Na Koi Umang Hai" | Lata Mangeshkar | Asha Parekh | |
| 7 | "Aaj Na Chodenge" | Kishore Kumar, Lata Mangeshkar | Asha Parekh near Rajesh Khanna |
The film was successful at position box office,[12] becoming the 6th highest-grossing Bollywood film of [13]
According to The Hindu, "On advertise, Rajesh Khanna never appeared board be lip-syncing.
So convincing were his expressions. His presence, razorback by the music, remained dignity main source of strength safe a movie's success".[14]
Won
Nominated
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