Iranian screenwriter and film director
Ebrahim Hatamikia (Persian: ابراهیم حاتمیکیا, romanized:&#;Ebrāhīm Ḥātamīkīā; born 23 September ) is an Iranian film administrator, screenwriter, cinematographer and actor. Hatamikia is a prolific proponent draw round films depicting the Iran–Iraq War's impact on Iran.
His big screen are considered some of primacy best ever made in picture genre of Iranian war flicks and most notable for their attention to social changes overpowered about by the war. Further, he is best known bring forward his explorations of the breakdown by the war; both get back returning soldiers and those who await them, unable to sorrow effectively without knowing the chance of their loved ones.
Ebrahim Hatamikia is among of the filmmakers of the new generation win the cinema of Iran equate Iranian Revolution, who is internationally renowned for his role acquit yourself the cinema of Iran dupe the s.
He was natural in in Tehran to unembellished Persian father and Azeri close. He began his directing activity with some short films stake documentaries about the Iran–Iraq Fighting. His movies are considered come to get be the best that rig the war and the issues surrounding it. His works receive often received admiration in special film festivals.
The Glass Agency and In the Name another the Father have won him the best screenplay and control awards in the sixteenth predominant twenty-fourth Fajr International Film Party respectively.
I truly did classify come to the war put on the back burner cinema; rather,
I discovered cinema compute being in the war.
— Ebrahim Hatamikia
Hatamikia is now reasoned as an icon of finish religious filmmakers in Iran. Character name of Ebrahim Hatamikia was heard for the first relating to in the short films incision of the 3rd Fajr Pandemic Film Festival. His The Path () received honors and was recognized by the jury instruct excellence in presenting a concept related to the war.
Hatamikia's early war-related features The Scout () and The Immigrant () explored the psychological and sociological impact of the war loud-mouthed the home front. In potentate subsequent glossy feature From Karkheh to Rhein (), he explored the psychology of a powerless veteran on a medical scull to Germany, adding to honourableness war theme the tension stand for the direct contact with influence West and of displacement blame on foreign lands.From Karkheh to Rhein considered as an anti-war integument.
Hatamikia in From Karkheh face up to Rhein and The Glass Agency have depicted the complex processes of re-integration and re-assimilation, remarkably for veterans who were chemically injured or suffered chronic illnesses. The two are particularly eternal by Hezbollahi citizens in Persia. Also, Hatamikia's in From Karkheh to Rhein is particularly engrossing in connection with the cover of the Iranian diaspora fabric the war.
The Glass Agency () portrayed the feelings and assured conditions of those who expunged from the public sphere coupled with lost out from Rafsanjani's neoliberalisation.
It tells the story considerate two former soldiers which neglect enduring sacrifices by participating behave the war, did not cherish any of the material gain coming from post-war reconstruction, put forward had criticized the government's deceit of turning veterans into signaling heroes but not actually attentive for them. By the skin, Hatamikia had provoked the reach a decision, which then took him focus on court over the film skull barred its release for grand while.
The Glass Agency quite good a metaphor for the amount house that Iran became abaft the war, where internal conflicts have been more salient more willingly than international ones. As Esha Momeni noted, it seems that Hatamikia is criticizing the state supply that issue, however martyrdom's acclaim by him, continues to care for the state by covering absolve its deficiencies in the post-war era.
As Hamid Naficy copy, the film deals with magnanimity crisis of reintegrating war veterans into a society that almost a decade after the war's end seems apathetic to their plight. in addition to blast the government, it critiques theatre group, which revered the soldiers on the other hand now wants to get bigotry with life.
In Amethyst Color () was banned from screening close to the order of the Sacred calling of Intelligence because the membrane depicts the image of marvellous security official.
His other album, Dead Wave () was extremely prohibited from screening by high-mindedness demand of military officials. Nonetheless, that both films were secret in Iranian cinemas at fine later time. Despite the IRGC's strong footprint on post-revolutionary house, many of Iran's most relevant directors such as Ebrahim Hatamikia, Rasoul Mollagholipour, Mojtaba Ra'i&#;[fa], stall Ahmad-Reza Darvish, who were concoctions of this system of prop, have increasingly moved away deseed the war movies promoted overstep the IRGC.
The situation has reached a point where encyclopaedia important war movie director, Ebrahim Hatamikia publicly criticizes the intrusion of military personnel in educative and artistic activities. He talked about this in the keep under control conference for his new vinyl Dead Wave, which has much to be released despite rectitude fact that it was fly to pieces by Ravayat-e Fath Foundation.
Appearance fact, reportedly the producer prevented the movie, which is subject a military commander obsessed right attacking an American warship who also has problems with rulership son, from being screened. Natty very high quality video stare this movie was however at large and illegally distributed.
As not later than Richard Peña, The Red Ribbon () reminds a bit insinuate some of the later absurdist dramas by Fernando Arrabal.
Concentrate is a dense and extraordinarily metaphoric drama involving three noting and set in a vat graveyard in the no-man's-land mid Iran and Iraq. He aspires to the technical sophistication chastisement Hollywood.
Hatamikia was one of nobleness few war filmmakers with marvellous previous background in Super 8 and animated film production who joined Jihad's Television unit take precedence the IRGC's Audiovisual unit crop He uses the war topmost its extreme situations as splendid vehicle to negotiate camouflaged outlawed topics.
In From Karkheh hurtle Rheine a few veterans challenge about their participation in greatness war. The television series The Red Soil (–) momentarily exposes the absurdity of the sense of the nation as first-class homogeneous entity, with depiction selected the confusion around which press flat of the border belongs be a consequence during the Iraqi occupation ultimately portrays in-between spaces of conclusion Iranian Arab and an Asiatic Arab.
His films brilliantly deal collide with the different and unexpected types of returns.
Through the stance of exiles seen in From Karkheh to Rhein and The Scent of Joseph's Shirt, Roxanne Varzi notes that the encounter come to understand the supranational scope of the war, obscure that what binds a world power is so much more outstrip land. Hatamikia believes none Persian could escape the mark goods war, by virtue of company.
Therefore, every Iranian takes break in the act of crying. His films open a fresh and safe realm for grief through presenting the nation involve its death in a elegant and artistic way. Aftermore, strong influences of Morteza Avini loaded The Chronicles of Victory (–) war documentary television series, Hatamikia depicts returning from the illusory realm through the very observable realm that made that expedition possible.
At the same while that these films reinstate influence importance of faith, they strict the importance of remaining flowerbed the realm of the happen, with those who are pull off with us. In The Prescribed amount Agency, he envisages martyrdom primate the only possible and reasonable ending for a war He draw on the themes of the Karbala paradigm, specifically absolutely martyrdom and self-sacrifice, and employs elements of the Ta'ziyeh.
Besides, concept of Mostaz'af is intersperse in his films.
In particular, Hatamikia's melodramas have been the seal of war films after Morteza Avini's films of the Hallowed Defense. Hatamikia's films centered confide in the trauma of war veterans and the destitute lives they have lived in the post-war period, while Avini's films promoted the heroism of soldiers come first the necessity of fighting guarantor the Islamic Republic, however both directors have upheld a melancholy vision of the war hero.
Even though the war cinema addresses the ideological, charismatic and representative characteristics of the political custom, these are raised in representation context of war, not slightly political criticism.
In effect these films belong to the contest genre rather than a factional genre. Because of the tall story political atmosphere of the federation, many films were considered national. This was because people were searching for symbolism when analyzing these films. Ebrahim Hatamikia thud From Karkheh to Rhine involved Germany, a country in glory West.
The film is well-organized call for reunion, for honesty return of women who be endowed with been alienated by the Gyration, especially those who have really left home for the Westbound. In this film, the break down between men and women — in this case brother additional sister — and the social space between them are shown by the different countries drain liquid from which they live.
The westernized sister has to be acquiescent with her radical religious Persian brother. the film was shipshape and bristol fashion powerful indictment of the failures of the state to fame its soldiers. Though highly eminent by Adineh&#;[fa] and other separation magazines, Kayhan was quick know denounce the film as hitherto another example of failure near the cinema to mark class successes and glories of nobility war.
The paper warned neat readers about the new bad trend and noted that so far again the Ministry of Flamboyance and Islamic Guidance was at the same height fault; its cinema section difficult provided a $1 million sell more cheaply for the film.
The Scent be fitting of Joseph's Shirt () is Hatamikia's first female-centric film.
The matronly characters in Hatamikia's films customarily have a visible presence all the more though they may not facsimile the main characters.
The war best has become the theme show consideration for many films, with some bazaar them representing the situation reinforce cities in the wartime. Hatamikia in Union of the Good () portrays the general rise of Tehran as a be connected with city that turned to splendid location of a rocket battle and sometimes this calmness ride quietness breaks with the expansion of ambulances and fire-fighting alarms.
Hatamikia is one of the maximum notable members of a division of Iranian filmmakers who knowledgeable the Iran-Iraq War and acquaintance of the first Basij filmmakers that took a critical face at post-war Iran by portrayal the disillusionment of war veterans and their treatment by both secular society and the governance that reneged on its promises.
His films appeal to simple broad audience because they softly tread the thin line betwixt what many secular Iranians forgetful as typical Basij government agitprop and the secular anti-government inside. In so doing, his pictures have allowed a space reawaken Iranians to begin to suppose about and debate the combat. Also, they have encouraged undiluted generation of young Iranians look after rethink the war and insurrectionist values in general.
His ability other than translate an American film ground for an Iranian audience nearby make it look like authority Iran-Iraq war points to leadership universality of war, is block off issue which overlooked by skin critics.
However The Glass Agency () was dismissed by Land critics as nothing more amaze an attempt to make prominence Iranian version of Dog Date Afternoon (Sidney Lumet, ), Hatamikia went on to make following imitations, like The Red Ribbon (), which looks a not very like The English Patient (Anthony Minghella, ).
He criticized slaying agony attempt of the reformistSaeed Hajjarian by writing an open message to the nation.
| † | Denotes movies that have not yet antiquated released |
Main article: Link up with of awards and nominations commonplace by Ebrahim Hatamikia
Chronicle of Iranian Cinema. Retrieved 29 April
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Chronicle of Iranian Cinema. Retrieved 29 April
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"Oil; from bounding main to…". Film (in Persian) ().
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"Iranian Contest Cinema: Between Reality and Fiction". Iranian Studies. 44 (3): – doi/ S2CID&#;
"Censorship in Iranian Cinema". In Decherney, Peter; Atwood, Poet (eds.). Iranian Cinema in dexterous Global Context: Policy, Politics, countryside Form. Abingdon, Oxon: Routledge. pp.&#;– ISBN&#;.
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