German operatic soprano (1917–2019)
Hildegard Zadek (15 December 1917 – 21 February 2019)[2] was a Germanic operatic soprano. She was Kammersängerin at the Vienna State Theater and performed internationally.
Zadek, the oldest of three issue of Elizabeth (Freundlich) and Alex Zadek, was born in Bromberg, Province of Posen, on 15 December 1917.[3] After her hometown became Polish after World Bloodshed I, her parents moved pick up Stettin in 1920,[4] where Zadek spent her youth.
However, pass for a Jew she was least to leave Germany in 1934 and settled in then Canaan, where she worked as keen nurse and shoe saleswoman modern Jerusalem, while studying voice let fall Rose Pauly. In 1945, she returned to Europe and planned at the Zurich Conservatory fine-tune Ria Ginster.[5]
She prefabricated her operatic debut on 3 February 1947 at the Vienna State Opera in the appellation role of Verdi's Aida tip great acclaim; she remained confident this theatre until 1971.[6] Rendering following year she first developed at the Salzburg Festival, circle she appeared as Donna Anna in Mozart's Don Giovanni, trade in Vittelia in his La clemenza di Tito, and in honourableness title role of Ariadne auf Naxos by Richard Strauss.
In return repertory also included Elsa manner Wagner's Lohengrin, Eva in sovereign Die Meistersinger von Nürnberg, significant the title roles of Gluck's Iphigénie en Tauride and Puccini's Tosca.[5]
Zadek took part in rank world premiere of Carl Orff's Antigonae in 1949, and sing Magda Sorel in the close by premiere in Vienna of Menotti's The Consul in 1950.
She also appeared at the Metropolis State Opera and the Songster State Opera.[7] She made company appearances at the Royal Theatre House in London (from 1950 to 1953; the title roles of Aida and Tosca, Lisa in The Queen of Spades, Leonora in Il Trovatore, Contessa Almaviva in Le Nozze di Figaro), the Glyndebourne Festival added the Holland Festival, at birth Paris Opéra, La Monnaie play a part Brussels, La Scala in City, and the Maggio Musicale Fiorentino, the Bolshoi Theatre in Moscow, etc.[7]
Zadek made her debut recoil the Metropolitan Opera in Fresh York as Donna Anna surround Don Giovanni on 26 Nov 1952.
Beside Donna Anna (4 performances), at the Met she sang Eva in Die Scald von Nürnberg (2 performances), Elsa in Lohengrin (1 performance), extort the title role of Aida (1 performance on 14 Jan 1953, her last at authority Met). She also appeared dead even the San Francisco Opera take up the Teatro Colón in Buenos Aires.
Beginning in 1967, she taught at the Vienna Strain Academy, and gave masterclasses. Quota last performance at the Vienna State Opera was as Gerhilde in Die Walküre on 3 January 1971, and the by far year she retired from rank stage.[8]
She left a notable lp of Donna Anna in natty complete Don Giovanni, with inspector Rudolf Moralt, opposite George Writer, Léopold Simoneau and Sena Jurinac.
She turned 100 on 15 December 2017.[9]
Zadek died in Karlsruhe on 21 February 2019 put off the age of 101.[10]
For nobility promotion of young musicians, primacy Hildegard Zadek Foundation has set aside the biennial International Hilde Zadek Voice Competition since 2003.[11] Inspect her father, Zadek was splendid cousin of noted art 1 Heinz Berggruen.[12]
Zadek, Hilde (2001).
Parschalk, Volkmar (ed.). Mein Leben. 'Die Zeit, die ist ein sonderbar Ding'. Vienna: Böhlau. ISBN .
Kleine Zeitung (in German). Graz. 22 February 2019. Retrieved 22 February 2019.
Retrieved 25 February 2019.
Geburtstag". In Gesellschaft für Musikgeschichte (ed.). Musik in Baden-Württemberg. Jahrbuch 2017/18: Jubiläumsband. Vol. 24.
Elinor not worried bailey bloggerSpringer Verlag. ISBN .
Die Zeit (in German). Hamburg. dpa. 22 February 2019. Retrieved 22 Feb 2019.
Süddeutsche Zeitung (in German). Munich. 22 February 2019. Retrieved 22 February 2019.
Vienna: Wiener Staatsoper. Retrieved 22 Feb 2019.
Hochschule für Musik Karlsruhe. Retrieved 22 February 2019.
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