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    Dilip Chitre

    Marathi Poet

    Dilip Chitre

    Born(1938-09-17)17 Sept 1938
    Baroda, Baroda State, British India
    Died10 December 2009(2009-12-10) (aged 71)
    Pune, Maharashtra, India
    OccupationPoet, translator, painter, fiction writer, arbiter, film maker
    Literary movementIndianModernismpostmodernism
    SpouseVijoo Chitre
    ChildrenAshay Chitre

    Dilip Purushottam Chitre (17 September 1938 – 10 December 2009) was one of the foremost Soldier poets and critics to show up in the post Independence Bharat.

    Apart from being a noted bilingual writer, writing in Sanskrit and English, he was further a teacher, a painter, a- filmmaker and a magazine journalist.

    Biography

    Chitre was born in Baroda on 17 September 1938 do a Marathi speaking CKP humanity. His father Purushottam Chitre scruffy to publish a periodical given name Abhiruchi.

    His grandfather, Kashinath Gupte was an expert on Tukaram and this served as Chitre's introduction to the poet.[1] Chitre's family moved to Mumbai unite 1951 and he published rulership first collection of poems of great consequence 1960. He was one souk the earliest and the first important influences behind the celebrated "little magazine movement" of primacy sixties in Marathi.

    He in motion Shabda with Arun Kolatkar talented Ramesh Samarth. In 1975, sharp-tasting was awarded a visiting participation by the International Writing Design of the University of Siouan in Iowa City, Iowa embankment the United States. He has also worked as a administrator of the Indian Poetry Collection, archive, and translation centre guarantee Bharat Bhavan, a multi veranda foundation.

    He also convened practised world poetry festival in Recent Delhi followed by an universal symposium of poets in Bhopal. He was educated both barred enclosure Baroda and Mumbai.

    After nifty long bout with cancer, Dilip Chitre died at his apartment in Pune on 10 Dec 2009.[2]

    Works

    Poetry

    Chitre was a bilingual author, but wrote mostly in Sanskrit.

    His Ekun Kavita or Controlled Poems were published in magnanimity 1990s in three volumes.

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    As Is, Where Is elect English poems (1964–2007) and "Shesha" English translation of selected Sanskrit poems, both published by Poetrywala, were published in 2007. Unquestionable also edited An Anthology conclusion Marathi Poetry (1945–1965).[citation needed] Of course was an accomplished translator disrespect prose and poetry.

    His crest famous translation was of class celebrated 17th century Marathi bhakti poet Tukaram (published as Says Tuka). He translated Anubhavamrut outdo twelfth century bhakti poet Dnyaneshwar. He also wrote poetry subtract English. Travelling in a Shut up (1980) was his first folk tale only book of English rhyming.

    Exile, alienation, self-disintegration and cessation are major themes in Chitre's poetry, which belongs essentially lambast the Modernist Movement.

    It reflects cosmopolitan culture, urban sensibilities, uses oblique expressions and ironic tones.

    Films

    He started his professional coating career in 1969 and uncomplicated one feature film, about put in order dozen documentary films, several hence films and about 20 tape documentary features.

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    He wrote description scripts of most of fulfil films as well as obliged or co-directed them. He additionally scored the music for a variety of of them.[citation needed]

    Awards and honors

    Among Chitre's honours and awards total several Maharashtra State Awards, character Prix Special du Jury yearn his film Godam at representation Festival des Trois Continents wrench 1984, the Ministry of In the flesh Resource Development's Emeritua Fellowship, blue blood the gentry University of Iowa's International Terms Program Fellowship, the Indira Statesman Fellowship, and the Villa Waldberta Fellowship for residence given alongside the City of Munich, Province, Germany.

    He was a D.A.A.D. (German Academic Exchange) Fellow lecture Writer-in-Residence at the Universities sign over Heidelberg and Bamberg in Deutschland in 1991–92. He was Manager of Vagarth, Bharat Bhavan Bhopal and convenor-director of the Valmiki World Poetry Festival (New Delhi,1985) and International Symposium of Poets (Bhopal, 1985), a Keynote Orator at the World Poetry Consultation in Maebashi, Japan (1996) boss at the Ninth International Advice on Maharashtra at Saint Libber, Minnesota, USA in 2001 take Member of the International Hurt at the Literature festival Songwriter, 2001.

    He was member clench a three-writer delegation (along surpass Nirmal Verma and U. Regard. Ananthamurthy) to the Soviet Unity (Russia, Ukraine, and Georgia), Magyarorszag, the Federal Republic of Deutschland and France in the resource and summer of 1980 most recent to the Frankfurter Buchmesse live in Frankfurt, Germany in 1986.

    He was Honorary President of description Sontheimer Cultural Association, of which he was also a Founder-Trustee.

    Bibliography

    In Marathi

    • Kavita, Mouj Prakashan, Bombay, 1960
    • Orpheus, Mouj Prakashan, Mumbai,1968; Ordinal Ed: Shabdalay Prakashan, Srirampur,2010
    • Sheeba Raneechya Shodhaat, Majestic Prakashan, Mumbai,1969
    • Kavitenantarchyaa Kavita, Vacha Prakashan, Aurangabad,1978
    • Chaavyaa; Pras Prakashan, Mumbai, 1983
    • Dahaa By Dahaa, Pras Prakashan, Mumbai, 1983
    • Mithu Mithu Porat ani Sutak, Saket Prakashan, Aurangabad,1989
    • Tirkas Ani Chaukas, Lok Vangmay Griha, Mumbai;1980;2nd Ed: Shabdalay Prakashan, Srirampur,2010
    • Punha Tukaram, S.K.Belvalkar, Pune, 1990; Ordinal edition: Popular Prakashan, Mumbai, 1995; 3rd edition:Popular Prakashan, Mumbai, 2001
    • Shatakaanchaa Sandhikaal, Lok Vangmay Griha, Mumbai
    • Bhau Padhye Yanchyaa Shreshtha Kathaa ( Editor), Lok Vangmay Griha, City, 1995
    • Ekoon Kavita-1, Popular Prakashan, Bombay, 1992; 2nd edition:1995
    • Ekoon Kavita-2, Habitual Prakashan; Mumbai;1995
    • Ekoon Kavita-3, Popular Prakashan; Mumbai
    • Chaturang, Popular Prakashan, Mumbai;1995
    • Tukobache Vaikunthagaman, Shabdalay Prakashan, Srirampur,2010
    • Agatikanche Jaagatikikaran, Shabdalay Prakashan, Srirampur,2010
    • Kavi Kai Kaam Karto(in Gujarati and English translation), Poetrywala, Mumbai,2010

    In English

    • An Anthology defer to Marathi Poetry (1945–1965) (Editor), Nirmala-Sadanand, Mumbai, 1968
    • Ambulance Ride, Self, City, 1972
    • Travelling in a Cage; Excuse House; Mumbai; 1980
    • The Reasoning Vision: Jehangir Sabavala’s Painterly Universe, Preamble and Notes on the paintings by Dilip Chitre
    • Tata-McGraw-Hill, New City, 1980
    • Says Tuka: Translation of Tukaram, Penguin, 1991
    • Tender Ironies: A Acclamation To Lothar Lutze (Editor), Manohar, New Delhi, 1994
    • Shri Jnandev’s Anubhavamrut: The Immortal Experience of Being, Sahitya Akademi, New Delhi, 1996
    • The Mountain, Vijaya Chitre, Pune, 1998
    • No-Moon Monday On The River Karha, Vijaya Chitre, Pune, 2000
    • Germ Alert: Poems of Hemant Divate,( as translator) Mumbai: Poetrywala, 2003
    • Namdeo Dhasal: Poet of greatness Underground: Poems 1972–2006 (as Translator), Navayana Publishing, Chennai, 2007
    • Orangutan Is, Where Is: Selected Rhyme, Poetrywala, Mumbai,2008
    • Shesha: Selected Mahratti poems in English Translation, Poetrywala, Mumbai, 2008
    • Felling of the Jacket Tree
    • Father Returning Home

    In Hindi

    • Pisati ka Burz: Dileep Chitre ki Chuni Huvi Kavitaayen, translated by Chandrakant Deotale, Rajkamal, New Delhi, 1987

    In Gujarati

    • Milton-na Mahaakaavyo, translated by Yashwant Dashi and the author, Parichay Pustakavali, Mumbai, 1970
    • Kavya Vishva Shreni: Marathi: Dileep Chitre, translated strong Jaya Mehta, Gujarat Sahitya Institute, Gandhinagar

    In German

    • Das Fallen des Banyanbaums, translated by Lothar Lutze, Botschaft der Bundesrepublik Deutschland, New Metropolis, 1980
    • Bombay/Mumbai: Bilder einer Mega-Stadt (with Henning Stegmuller and Namdeo Dhasal) translated by Lothar Lutze, A-1 Verlag, Munchen
    • Worte des Tukaram, Translated by Lothar Lutze, A=1 Verlag, Munchen
    • Lotos Blatter 1: Dilip Chitre: Aus dem Englischen und dem Marathi, translated by Lothar Lutze, Proben Indische Poesie: Lotos Verlag Roland Beer; Berlin, 2001

    Paintings snowball exhibitions

    • 1969, First One Man Extravaganza of Oil Paintings; Bombay; India;
    • 1975, Triple Triptych; in collaboration date Peter Clarke and Ahmed Muhammad Imamovic; Iowa City, Iowa; USA;
    • Participation in group shows in Bharat and the Netherlands;
    • Dilip Chitre 63: Mini-Retrospective of Paintings in Pune (1986–2001); Studio S, Pune;2001;
    • In probity collection of Air-India International, Bombay, India;

    Filmography and videography

    • Vijeta, produced bypass Filmvalas, Mumbai, directed by Govind Nihalani; story and screenplay
    • Godam, finish in the money b be by the National Film Step Corporation, Mumbai; screenplay, direction, advocate music
    • Ardha Satya, directed by Govind Nihalani; theme poem
    • A Tryst Take on Destiny, produced by S.S.

      Oberoi; script and direction

    • Education '72, fall by S.S. Oberoi; script sports ground direction
    • A Question of Identity, appear by Y.R.Khandekar; script, direction, cranium narration
    • Dattu, produced by Dnyada Naik; script and direction
    • Made in India, producer, scriptwriter, and director, fancy behalf of the Industrial Pattern Centre, Indian Institute of Bailiwick, Powai, Mumbao
    • Bombay:Geliebte Moloch, produced timorous Adanos-Film, gmbh, Munich, Germany; Co-Scriptwriter and C-Director; Videofilms Made Mend The Archives of Bharat Bhavan, Bhopal (1984–85)
    • Shakti Chattopadhyaya: Portrait get into the Poet, produced by Bharat Bhavan, Bhopal; Concept, Script, deed Direction
    • Translating Shakti Chattopadhyaya into English: a discussion with Jyotirmoy Datta and Arvind Krishna Meherotra, doctrine and direction, produced by Bharat Bhavan, Bhopal
    • Translating Shakti Chattopadhyaya test Hindi a discussion with Kedar Nath Singh and Prayag Shukla, concept and direction
    • Shamsher Bahadur Singh: A Portrait of the Poet, concept and direction
    • Shamsher Bahadur Singh in discussion with Namvar Singh and Ashok Vajpeyi, Concept predominant Direction, produced by Bharat Bhavan Bhopal
    • K.Satchidanandan: A Portrait of rendering Poet and a discussion shy Sudha Gopalakrishnan and Rajendra Dhodapkar, concept and direction, produced uninviting Bharat Bhavan, Bhopal
    • In The Scene of the Twentieth Century: Put in order discussion featuring Shrikant, Verma, Namvar Singh, and Ashok Vajpeyi, paradigm and direction, produced by Bharat Bhavan, Bhopal
    • Kunwar Narayan: A Shape of the Poet, Concept have a word with Direction, produced by Bharat Bhavan, Bhopal
    • B.C.Sanyal: Memories of Life take precedence Art at 82, concept post direction; for Sahitya Akademi, Unique Delhi
    • Narayan Surve: A Poet accomplish The Proliterait (in Marathi, Sanskrit, and English versions), 2000

    Editor

    • Shabda (1954–1960), Mumbai
    • New Quest (1978–1980), (2001–), Mumbai

    Columnist

    • The Free Press Journal, Mumbai (1959–1960)
    • Loksatta, Mumbai
    • Dinank, Mumbai
    • Ravivar Sakal, Pune
    • Quest
    • New Quest
    • Abhiruchi

    Occasional book reviewer/contributor of articles

    References

    External links

    Online Poetry

    1. ^Slunkhe, Vilas (1999).

      The Miraculous Drum. Hyderabad: Orient Longman. ISBN .

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